The Silent History is now available in a print edition from FSG. Here's what people have been saying about it:
"A compelling story about difference, rights and power." The Guardian
"Has the energy of an airport page-turner, with the coherence and ambition of a more earnest book." The Economist
"Here is a novel at once fun, clever and humane with the scope to outlast its hipper-than-thou origins." The Independent
"An ingenious variety of perspectives and locations that create a richly textured vision of a dystopian future." Publishers Weekly
Back in 2002, my wife Mary-Kim Arnold and I developed this routine where we’d perform in matching orange jumpsuits and zip audience members into an orange canvas sack, rolling them across the stage until they told the truth.
At one of these performances at the
now defunct Sound Gun Recording Studio in Philadelphia, we shared a bill with
these guys Tim Heidecker and Eric Wareheim, who performed as timanderic.com,
and who dominated the evening with their premiere of an incredible short film
they’d made about a cat film festival. It was weirder and funnier than anything
I’d seen in a very long time, and Tim and Eric were recklessly oblique on
stage, working on a thing that wasn’t stand-up or performance art but something way out on the frontier, like if Matthew Barney had worked at QVC instead of making the
Cremaster Cycle. I’m relieved I wasn’t wearing socks that night, because they
would’ve been knocked clean off my feet.
My wife and I performed with Tim
and Eric a few more times, culminating in a show at the Knitting Factory where
I met the guy who would eventually edit Super Flat Times for Little, Brown.
When I found out the book was going to be published, I asked Tim and Eric if
they’d do some ‘Director’s Commentary’-style audio for scenes I’d cut out of Super Flat Times. Coincidentally, they
were in need of a top-notch web designer who could update their site for the
2000s, adding in all of the slick technologies of the era that were making the
Internet quite literally blow up. So we agreed on a trade: I would give their
site a major facelift, making it feel like a real cutting-edge chill-out zone
for anyone from the ages of 8 to 80 interested in comedy and good times, and
they would record the commentary tracks for Super
Here’s the homepage of timanderic.com, circa 2003:
And here are the commentary tracks Tim and Eric recorded for deleted scenes from Super Flat Times:
So what happened next? Well, shortly after this collaboration, Tim and Eric exploded into huge international superstars with movie deals, branded merchandise, silks, custom-made weapons, and more. And Super Flat Times, meanwhile, went on to regional acclaim, garnering several positive Amazon reviews and constructive feedback from local critics.
Did I have a hand in Tim and Eric’s fame? That’s not for me to say. But do take a look at the numbers. You may find that they speak for themselves.
Did I sacrifice my own fame in order to launch their careers? I can't think of any other way to slice the pie.
Was it worth it? Absolutely.
Because so much of Super Flat Times takes place in Korea or in countries that Korea has colonized, I decided to have the title translated. Here's the set of options that the translator sent me: